Keeping track of proliferating Alleluias
When I started the blog on Gospel Acclamations, or Alleluias, I was vaguely thinking that I needed to talk about the names we’ve given them. Then the blog turned out to be too large and had to be split into two parts, and when I’d finished talking about the verse words in Part Two, I realised that I still hadn’t got around to explaining the names. So I parked it for a little while, but now we are rushing towards the end of the Church’s year when different names stop being relevant for a while anyway, and I realised that I needed to get on with it. The topic of naming and the importance of names came up in our new Bible study, and I realised there was more to it than I had thought.
Genesis and the beginning of names
Our group has just launched this year’s Bible study, and we’re doing Genesis. This is a new departure for us, as everything else so far has been from the New Testament. I have to admit that I was the person originally pushing for Genesis because St Paul was giving me indigestion and there’s an awful lot of St Paul to study in the New Testament. I would like to study Job, but we couldn’t find a suitable study. Then we found a study for Genesis, and I managed to persuade the others. It’s fascinating so far.
Apart from the obvious attraction of studying slowly something which you (wrongly) might have thought was so familiar (two Creation accounts, two special trees in the garden), all sorts of small things come up every week. We’re still in the early stages, of course, but something that struck me forcibly was the account of Adam naming all the creatures.
Adam shares the naming
God does the cosmic naming (light, heaven, earth, seas etc), but all the birds and beasts and creepy-crawlies are brought to Adam (in the second account) ‘to see what he would call them’, (Genesis 2) and whatever he calls them is their true name and expresses their essence.
This is one of the ways in which Adam exerts dominion. Or you might say responsibility : you can name only something that you have responsibility for. God allowing Adam to name the creatures gives him a role which makes him different from them.
When you make something, you can name it because you know it better than anyone else does, and naming has power, it expresses essence. You can name your own children (though some people have huge difficulty with this and planning it seems to take longer than the baby takes to grow), you can name anything you make, or write, or compose, or create, like a new rose. (Genesis omits the question of who called the rose a rose.)
Names need to mean something
This is slightly intimidating when I think of how informally I thought about the Alleluias when I started. It was quickly clear that there needed to be more than one (the metre of the verse words was the main factor here), and I started by just giving them numbers, although we already had one (Mayfield) named because I was doing the Mass, and at that point everything felt like part of the same batch. This did mean though that I avoided using Alleluia No 1 to start with, in the best traditions of numbering things, and indeed, we still haven’t got an official Alleluia No 1 (somehow it feels as though it wouldn’t be fair on the others).
Go forth and multiply
The problem with numbering was that it was arbitrary and depended entirely on when I wrote something, which was no help remembering which was which. The next few Alleluias took their name from some association, because I hoped they would be easier to remember, like the Clock Alleluia, which starts with the chime of our bonging clock. There is another group attached to certain stages of the Church’s year : Advent, Easter, Christmas. This works, except that it limits when you feel happy using them. I use the Christmas Alleluia for Mary the Mother of God, for example, for obvious reasons, but you can’t use an Advent Alleluia in the middle of Ordinary Time even if the tune feels right, because the associations are wrong. So the Pentecost Alleluia was quickly renamed Alleluia No 4, because it was too useful to be limited to Pentecost season. If your congregation really likes one particular Alleluia, you can usually substitute it for the one set for a particular Sunday (not if it’s one of the less frequent 3/4 ones, though), and if you need it transposing, just e-mail me. I ended up having to produce a list of current Alleluias for ease of reference, and we call it Alleluias Inc.
Names easier than numbers
Some of the names are just private references. The Jacob Alleluia is because the tune climbs slowly up a ladder, like in Jacob’s dream of the angels and the old spiritual. The Wimbledon Alleluia just wombles around itself. The Michael Alleluia has a little quotation from another spiritual, Michael, Row the boat ashore, that we used to sing in the car when we were little (easy words and a better tune than many nursery songs, and the second verse actually mentions a sister, which we girls liked).
The Simple Alleluia only has two repeats of the word ‘alleluia’, not the usual three. The Step has a dance rhythm. The Stuart is a canon Alleluia (one of the ones that continues round and round under the verse words), and I called it after Mary Queen of Scots’ motto ‘In my end is my beginning’ because I was really having trouble remembering them all by now. The Wedding Alleluia is short, catchy and quick to pick up for people who are full of goodwill but may not go to church that often.
Autres pays, autres mélodies
With the OZ Alleluias, I tried a different tack. One of my other interests is women’s fiction from the nineteenth century, so I used the names of a couple of authors, Miles Franklin and Ethel Turner. That’s not actually any more help with remembering them quickly, though…. I haven’t written any specifically Canadian Alleluias yet, but I have found myself using the OZ ones for other countries, so I need to decide whether they should be country-specific. I suspect not.
The Petropavlovsk Alleluia was a little joke. I wrote it for a friend whose middle names are Peter Paul (guess when his birthday is), and he was in Russia at the time.
Special cases : the Lent Acclamations and the Advent Alleluia
The Lent Gospel Acclamations cause Volmar the Vebmaster and me terrible trouble every year because they somehow escape even when you think you’re on top of them (see previous blog, and here is the helpful illustration).
Luckily the Advent equivalent does not cause nearly so many problems. For one thing, the words are still ‘Alleluia’, instead of being several different (but only slightly) sets of words, varying from country to country but also from week to week, like the various Lent Gospel Acclamations. So the point about the Advent Alleluias is more to get the overall trajectory right, and I can use the same Alleluia for everyone, just changing the tune for the changing verse words. And, except for the fourth week of Advent, the verse words are the same for each Sunday across all three years of the Lectionary (though obviously different for each set of countries).
Moving forward towards Christmas
Working with the Advent Alleuias, then, I tried to make them point forwards towards the celebration of Christmas, using 3/4 instead of the usual 4/4 Alleluia, because it always feels as though it has a forward impetus and feels a bit like dancing. Much of the Christmas music is in 3/4, I think because lots of carols are (and many started as dances), and that, plus bouncy counter-rhythms, adds to the folky feel, which is what I’m after: nothing sophisticated, just a building childlike excitement, looking forward to what’s coming.
Advent and Christmas Alleluias : two names that work
And I don’t even have to think of another name for this one. It’s just called the Advent Alleluia. We have it only for the four weeks of Advent, when it gives way to the Christmas Alleluia, which is bigger, triumphant and even has an optional descant. It’s meant to sound like cascading Christmas bells on Christmas morning, and it’s dead easy – you only need a small group to sing it, because it happens in counterpoint to the main tune, and it doesn’t take five minutes to learn. Just as I collect only easy recipes, I only write easy-to-sing music, so why not try it? Again like my recipes, you get the maximum effect for the minimum effort!
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